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    Home Rosé Tops Spotify Streams for K-pop Soloists in 2025
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    Rosé Tops Spotify Streams for K-pop Soloists in 2025

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    ROSÉ & Bruno Mars - APT.
    ROSÉ & Bruno Mars - APT.

    K-pop soloists are dominating global streaming platforms in 2025, with Rosé of BLACKPINK leading the charge. Her single APT. has amassed over 1.15 billion streams on Spotify, making it the most-streamed K-pop solo track so far this year.

    BTS members are also performing strongly, with Jimin’s WHO reaching 635 million streams, Jin’s ONE OF THE GIRLS at 557 million, and Jungkook’s SEVEN at 362 million. Jin’s DON’T SAY YOU LOVE ME has additionally reached 358 million streams.

    Other BTS solo releases performing well include V’s WINTER AHEAD (303 million), Suga’s EXTRAL (217 million), and J-Hope’s RUNNING WILD (205 million), STANDING NEXT TO YOU (191 million), and MONA LISA (184 million).

    BLACKPINK soloists have also achieved significant success. Jennie has seen strong streaming figures with LIKE JENNIE (469 million), MANTRA (186 million), and LOVE HANGOVER (164 million), while LISA’s BORN AGAIN has reached 240 million streams. Rosé also features again with TOXIC TILL THE END (231 million), and Jungkook has 3D (223 million) rounding out the top performers.

    Here is the full list of the most-streamed K-pop solo songs on Spotify in 2025 so far:

    1. APT. — Rosé: 1.15 billion streams
    2. WHO — Jimin: 635 million
    3. ONE OF THE GIRLS — Jin: 557 million
    4. LIKE JENNIE — Jennie: 469 million
    5. SEVEN — Jungkook: 362 million
    6. DON’T SAY YOU LOVE ME — Jin: 358 million
    7. WINTER AHEAD — V: 303 million
    8. BORN AGAIN — LISA: 240 million
    9. TOXIC TILL THE END — Rosé: 231 million
    10. 3D — Jungkook: 223 million
    11. EXTRAL — Suga: 217 million
    12. RUNNING WILD — J-Hope: 205 million
    13. STANDING NEXT TO YOU — J-Hope: 191 million
    14. MANTRA — Jennie: 186 million
    15. MONA LISA — J-Hope: 184 million
    16. LOVE HANGOVER — Jennie: 164 million

    These figures highlight the global reach and growing influence of K-pop solo artists. Rosé’s dominance with APT. underscores BLACKPINK’s continuing worldwide popularity, while BTS members’ multiple entries demonstrate the group’s enduring appeal even in solo ventures.

    K-pop continues to expand its international audience in 2025, with solo projects helping artists achieve remarkable streaming milestones worldwide.

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    Sazid Kabir
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    Founder & Chief Editor, NoMusica.com. Sazid Kabir is a tech writer and music producer covering music, tech, and music production with both analytical and practical experience.

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